Almost 70 years ago, when a teenage Ginger Rogers had just graduated from dancing the Charleston in Texas to performing in vaudeville in New York City, she was pleased to discover how effortlessly she was able to establish rapport with an audience. “I realized that there was a trick,” she said later, “and that was being warm with them.” A simple enough credo, but it carried Rogers through 73 movies, including the ten unforgettable musicals in which, paired with Fred Astaire, she whirled across elegant Art Deco sets trailing feathers and chiffon, setting an unmatchable standard for dancing on film. There were also her straight-shooting performances in 1937’s “Stage Door,” 1940’s “Kitty Foyle” and 1942’s “The Major and the Minor.” Robust yet glamorous, with a purposeful stride and a beauty mark on the left side of her chin, Rogers was, as TIME pronounced in 1941, “the flesh-and-blood symbol of the United States working girl.” - Tom Gliatto, People Weekly, May 8, 1995

littlehorrorshop:

Mildred Davis and Harold Lloyd reunite in Safety Last! (1923)

Marlene Dietrich & Shirley Temple

gracepatri:

source:ebay

Audrey Hepburn at a party honouring her return to London after the filming of Roman Holiday, 1953.

gracepatri:

source:ebay

bellecs:

I just want to say that ALL the money I make from this writing will be put in the Isabelle finally goes to Paris fund. and never comes back!